Wednesday, March 18, 2009

A Contented Writer?

I was thinking about a distant cousin of mine who lives in Napa. This woman lives in the middle of a grape vineyard--a huge vineyard in the midst of hundreds of acres of grapes. But what impressed me wasn't just the scenery. It was, rather, that she seemed content. It occurred to me that I haven't met that many contented people, and I don't think I have ever met a contented writer. I keep wondering if it's even possible.

After all, I am always unhappy if I'm not writing. And when I am writing, I am not finished yet, and so I am wanting to write more and finish. But I never ever want to be finished because then I am not writing.

And there is always some doubt. What if I am only imagining that what I'm writing is really worth writing? And who can say what is worth, for what it's worth, and if worth is worth anything?

6 comments:

  1. I'd like to think of myself as a contented writer, Nin. Even a happy one. :-) Poetry writing is an act of joy for me. Hope this helps!

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  2. wow. i understand.

    btw, if you haven't seen the movies the prestige or the illusionist you should, considering your love for houdini. i thought of u as mark and i were watching the prestige tonight.

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  3. I've seen those moves, Amber, and yes, I love movies about illusionists.
    And Peter, well, yes, there is joy in writing. I agree, but I never think of joy and contentment as the same thing. Joy has waves in it.

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  4. I am content for about a day after I finish a poem.

    Then I think I will never--can never--write another.

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  5. "A Contented Writer?" made me think of Merwin's poem, Berryman:
    Berryman
    by W.S. Merwin

    I will tell you what he told me
    in the years just after the war
    as we then called
    the second world war

    don't lose your arrogance yet he said
    you can do that when you're older
    lose it too soon and you may
    merely replace it with vanity

    just one time he suggested
    changing the usual order
    of the same words in a line of verse
    why point out a thing twice

    he suggested I pray to the Muse
    get down on my knees and pray
    right there in the corner and he
    said he meant it literally

    it was in the days before the beard
    and the drink but he was deep
    in tides of his own through which he sailed
    chin sideways and head tilted like a tacking sloop

    he was far older than the dates allowed for
    much older than I was he was in his thirties
    he snapped down his nose with an accent
    I think he had affected in England

    as for publishing he advised me
    to paper my wall with rejection slips
    his lips and the bones of his long fingers trembled
    with the vehemence of his views about poetry

    he said the great presence
    that permitted everything and transmuted it
    in poetry was passion
    passion was genius and he praised movement and invention

    I had hardly begun to read
    I asked how can you ever be sure
    that what you write is really
    any good at all and he said you can't

    you can't you can never be sure
    you die without knowing
    whether anything you wrote was any good
    if you have to be sure don't write

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