Reading Tom Clark’s translation of Wang Wei http://tomclarkblog.blogspot.com/2014/02/down-by-river.html reminded me of
how much I love translations. I love reading two or more and then lining
them up and comparing them. I feel as if I am looking through a window
with many compartments, and each one shows a slightly different picture. "Black Stone over a White Stone" or should I say, "Black Stone Lying on a White Stone" is one of the poems I've seen translated the most, maybe because so many of us know Spanish or think we know Spanish. I read once that Robert Bly did not know many of the languages he translated.
BLACK STONE OVER A WHITE STONE
(Translation by Andres Rojas)
I will die in Paris in a rainstorm,
on a day I remember already.
I will die in Paris – and by this I stand –
perhaps on a Thursday, like today, in autumn.
on a day I remember already.
I will die in Paris – and by this I stand –
perhaps on a Thursday, like today, in autumn.
A Thursday it will be, because today, a Thursday
spent belaboring these verses, I’ve worn my arm bones
with ill humor, and never as today have I,
in all my journeys, found myself alone once more.
spent belaboring these verses, I’ve worn my arm bones
with ill humor, and never as today have I,
in all my journeys, found myself alone once more.
César Vallejo is dead. Everyone beat him
without him doing anything to them;
they struck him hard with a club, and hard too
without him doing anything to them;
they struck him hard with a club, and hard too
with a rope; these bear witness:
all Thursdays and arm bones,
loneliness, rain, journeys…
all Thursdays and arm bones,
loneliness, rain, journeys…
Black Stone Lying On A White Stone
I will die in Paris, on a rainy day, on some day I can already remember. I will die in Paris--and I don't step aside-- perhaps on a Thursday, as today is Thursday, in autumn. It will be a Thursday, because today, Thursday, setting down these lines, I have put my upper arm bones on wrong, and never so much as today have I found myself with all the road ahead of me, alone. César Vallejo is dead. Everyone beat him although he never does anything to them; they beat him hard with a stick and hard also with a rope. These are the witnesses: the Thursdays, and the bones of my arms, the solitude, and the rain, and the roads. . .
2 comments:
Swell post, Nin. As Robert Bly's poetics are based on a "childlike" (faux) simplicity, I don't suppose it would matter much exactly what the originals say.
This is such a great poem, no translation can really do it justice. But my favourite is Thomas Merton's version:
Piedra negra sobre una piedra blanca (Black stone on top of a white stone)
Oh, that is lovely! THANKS SO MUCH!
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